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Historical Context Print E-mail
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Friday, 13 January 2006

Historical Context

When Huxley wrote Brave New World in 1931 it was at the beginning of a worldwide depression. The American stock market crash of 1929 had closed banks, wiped out many people’s savings, and caused unemployment rates to soar. To make matters worse, American farmers were suffering from some of the worst droughts in history, leading to widespread poverty and migration out of the farming belt. People longed for the kind of economic security that Huxley gives to the citizens of his fictional world.

The effects of the crash were beginning to be felt worldwide, including in England, where Huxley lived. However much economic issues were on his mind, Huxley was also very much aware of the social and scientific changes that had begun to sweep the world in the beginning of the century, and particularly through the 1920s. Technology was rapidly replacing many workers, but politicians promised that progress would solve the unemployment and economic problems. Instead, workers were forced to take whatever jobs were available. More often than not, unskilled or semi-skilled laborers worked long hours without overtime pay, under unsafe conditions, and without benefits such as health insurance or pensions. Unlike the inhabitants of the brave new world, they had no job guarantees and no security. Furthermore, they often had little time for leisure and little money to spend on entertainment or on material luxuries.

In order to increase consumer demand for the products being produced, manufacturers turned to advertising in order to convince people they ought to spend their money buying products and services. Also, Henry Ford, who invented the modern factory assembly line, was now able to efficiently mass produce cars. For the first time, car parts were interchangeable and easily obtained, and Ford deliberately kept the price of his Model T low enough so that his workers could afford them. In order to pay for the new automobiles, many people who did not have enough cash needed to stretch out payments over time, and thus buying on credit became acceptable. Soon, people were buying other items on credit, fueling the economy by engaging in overspending and taking on debt.

All of these economic upheavals affected Huxley’s vision of the future. First, he saw Ford’s production and management techniques as revolutionary, and chose to make Ford not just a hero to the characters in his novels but an actual god. Huxley also saw that technology could eventually give workers enormous amounts of leisure time. The result could be more time spent creating art and solving social problems, but Huxley’s Controllers, perceiving those activities as threatening to the order they’ve created, decide to provide foolish distractions to preoccupy their workers. These future workers do their duty and buy more and more material goods to keep the economy rolling, even to the point of throwing away clothes rather than mending them.

In Huxley’s day, people’s values and ideas were changing rapidly. The 1920s generation of youth rejected the more puritanical Victorian values of their parents’ generation. Men and women flirted with modern ideas, such as communism, and questioned the rigid attitudes about social class. Some embraced the idea of free love (sex outside of marriage or commitment), as advocated by people like author Gertrude Stein (1874–1946). Others were talking publicly about sex, or using contraceptives, which were being popularized by Margaret Sanger (1883–1966), the American leader of the birth-control movement. Women began to smoke in public, cut their hair into short, boyish bobs, and wear much shorter, looser skirts. These new sexual attitudes are taken to an extreme in Brave New World.

Scientists were also beginning to explore the possibilities of human engineering. Russian scientist Ivan Pavlov (1849–1936) showed that one can create a conditioned response in animals. For example, he rang a bell whenever he fed a group of dogs, and over time Pavlov’s dogs began to salivate at the sound of a bell, even when no food was presented to them. Pavlov’s fellow scientist, John B. Watson (1878–1958), founded the Behaviorist School of psychology: he believed that human beings could be reduced to a network of stimuli and responses, which could then be controlled by whoever experimented on them. In the 1930s, German Nobel Prize winner Hans Spemann (1869–1941) developed the controversial science of experimental embryology, manipulating the experience of a human fetus in the womb in order to influence it. The eugenics movement—which was an attempt to limit the childbearing of lower-class, ethnic citizens —was popular in the 1920s as well.

Meanwhile, the fad of hypnopaedia, or sleep teaching, was popular in the 1920s and 1930s. People hoped to teach themselves passively by listening to instructional tapes while they were sleeping. Although the electroencephalograph, a device invented in 1929 that measures brain waves, would prove that people have a limited ability to learn information while asleep, it also proved that hypnopaedia can influence emotions and beliefs. Meanwhile, the ideas of Viennese physician Sigmund Freud (1856–1939), the father of modern psychoanalysis, were also becoming popular. He believed, among other things, that most psychological problems stem from early childhood experiences. Huxley incorporated all of these technological and psychological discoveries into his novel, having the Controllers misuse this information about controlling human behavior to oppress their citizens.

Brave New World was written just before dictators such as Adolf Hitler in Germany, Benito Mussolini in Italy, Joseph Stalin in Russia, and Mao Tse-tung in China created totalitarian states in countries that were troubled by economic and political problems. These leaders often used extreme tactics to control their citizens, from propaganda and censorship to mass murder. Huxley could not have predicted what was on the horizon. The grim totalitarian state that would come about would be incorporated into author George Orwell’s futuristic anti-utopian novel 1984 (1948) and strongly influenced by Huxley’s Brave New World. When Brave New World was published in 1932 it sold well in England and modestly in the United States, but it eventually brought Huxley international fame on both sides of the Atlantic. It was clear to critics that Huxley had written a novel of ideas, in which the characters and plot were not as well-developed as the book’s themes, which bring up many important concepts, from freedom to class structure. Huxley used humor and satire to point out the excesses and shallowness of contemporary culture.

Today, Brave New World is considered an archetypical dystopian novel portraying a seemingly utopian world that is, upon closer inspection, a horror. Critics generally agree that while Huxley was not a particularly innovative writer, his ideas were provocative and fresh and his writing eloquent. He was appreciated for both his analysis of post-World War I English life and, on a larger scale, his promotion of humanistic values through literature.

 
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